Monteverdi Madrigals Book 6 - 03. Dove, dove è la fede
ID: SM-000295069
| Композитор | Клаудио Монтеверди |
Аранжировщик
|
Mike Lyons |
| Издатель | Mike Lyons |
| Год создания |
1614 |
| Жанр |
Классика / Транскрипция |
| Тональность |
Си-бемоль мажор |
| Инструменты |
Кларнет, Саксофон, Фагот, Гобой, Тромбон бас, Тромбон тенор, Баритон-горн, Альтгорн, Корнет, Эуфониум, Валторна, Саксгорн, Тромбон, Туба, Тенор горн, Бас-кларнет, Саксофон альт, Саксофон тенор, Саксофон баритон, Саксофон сопрано, Туба бас |
| Состав исполнителей | Квинтет |
| Тип нот | Партитура, Партии |
| Время звучания |
2'48" |
| Части |
3 до 3 из 13 |
| Уровень сложности |
Средний уровень |
| Описание |
As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs.
Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor).
The first four songs form a kind of introductory scena, which Monteverdi calls "Lamento d'Arianna". The third song is "Dove, dove è la fede" which translates as "Where, O where is the faith/belief". The young man is questioning the lady's committment to him.
As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release. |
| |
| Дата публикации |
23.08.2017 |
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